Sunday, 8 May 2016

Update- Creature Encounters Costume Completed

The puppet costume for Embellishment has been completed. I thought I was successful in creating a costume that looks like my design. The most challenging part was the PVC leather patches since they would move when being sewn and I also could not pin them in place. I used Faux suede to create this costume in the colour's red, green and aqua which I ordered from Fabric Online. Black PVC leather was used to create the patches and it was spray painted silver. I used TRG's leather spray paint since when I used all purpose spray paint it did not fix properly to the leather and was sticky. It also transferred easily. The fringing uses wool yarn.

Tips
-When I was sewing with the PVC I used spray mount to fix the patches in place before sewing them.
-To prevent the PVC from moving when sewing, use a Teflon foot.

Laali's Costume- Front
Laali's Costume- Back




New Project- 1890 Corset

Since I have handed in my final projects I have decided to improve my corsetry skills through making a 1890 corset which pattern I found in Jill Salen's book, Corsets: Historical Patterns and Techniques.

Khaki Corded Corset, Hereford Museum, 1890- 1900. SALEN, J. Corsets: Historical Patterns and Techniques p.62
Making this corset is really going to help in developing my corsetry skills, since I have never inserted cording to a corset before. I will also be able to improve my fitting and pattern sizing up skills.

Symington, Leicestershire County Council Museum, 1875.  SALEN, J. Corsets: Historical Patterns and Techniques p.2

I have decided on incorporating the quilt pattern from this corset also found in Jill Salen's book, Corsets: Historical Patterns and Techniques on to the corset I am making to reduce the amount of cording on the corset. This is due to this corset being my first attempt at cording.

I started with sizing up the pattern to fit my measurements and making a toile. I was pleasantly surprised to find that the toile fit at the waist and hips so only the bust needed adjusting. Since the back piece fit nicely I decided on not taking in the sides but the bust gussets instead, making them smaller to fit my bust size. I did this through adding darts.

1890 Corset Toile
After I adjusted my pattern I cut new bust gussets for one side of the toile so I could make sure my adjustments are correct. The alterations were successful.

1890 Corset Toile- Adjusted
So that I know how much cording and the length of the boning I need, I marked the channels for the cording, busk and boning on the toile using an ink pen. I also tried the toile on again to make sure that the channels I marked were sitting in the correct places.

Toile with marked channels
Resources
SALEN, J. (2008) Corsets: Historical Patterns and Techniques Batsford. London

Saturday, 7 May 2016

Patchwork and Embroidery Exhibition

Today I visited the patchwork and embroidery exhibition that took place at Seaton Carew at the Marine Hotel. There was a wide range of amazing quilts on display as well as being sold. Cottons for quilting and patchwork were also being sold. This exhibit was really interesting since I was able to look closely at the stitch work on the quilts and how certain aspects have been attached to the work. It was also nice to see how different patterned fabric have been matched together.

Museum of Hartlepool

Today I visited the Museum of Hartlepool. This museum is great research into uniform since they have Police, Fireman, Nurse and various other uniform on display. They also have a large variety of original badges and medals for a range of occupations.

Victorian Mourning Dress                 Close-up Detail of Victorian            Late 1800s Sailors Uniform 
   Mourning Dress

Fire Brigade Badges- Tees Valley. 1900-1980

These badges would have been placed on their hard hats.

Visit their webside at:
www.hartlepoolsmaritimeexperience.com/home/museum-of-hartlepool/